I had the great fortune to be a part of the unprecedented Band Aid "Do They Know It's Christmas" charity single 25 years ago. Reading the articles marking the occasion in the UK a couple of weeks ago has lingered and compelled me dust off my blogging/writing pen.
It seemed most writers in the UK wanted to take the opportunity to be cynical about the process, or find a way to highlight those who may have had misfortune since that time.
Life happens, and I'm not sure why people ever get such glee in the downfall of others, but in the context of the 25th Anniversary of Band Aid, it felt particularly trite.
While reading I couldn't help but wonder what did any of this have to do with the money raised to try to do something positive for starving children, after nearly a million had already died? It doesn't matter what the state of Sir Bob Geldof or Midge Ure's careers were at the time, they did something amazing and meaningful.
"Do They Know It's Christmas" became the fastest selling single of all time in the UK and raised over 5 million pounds or roughly 10 million dollars.
The subsequent Live Aid and USA For Africa single "We Are The World" would bring the total to 150 million pounds or nearly 248 million dollars for famine relief, and still contributes roughly 2 million pounds per year (just over 3 million dollars) via the Band Aid Trust. It may not have changed the world, but Band Aid has definitely saved millions of lives. This should be the focus and marked achievement.
Band Aid was also influential in igniting the social efforts of other artists for causes including, Farm Aid and other campaigns combining a collective of artists willing to use their talents to help others, I'd say this was a worthy trend to start.
Being that my participation is rounded up incorrectly, let me say that my participation came after I'd quit the group Shalamar. I was living in the UK reevaluating my life, purpose. I was friends with Mariella Frostrup from the PR department at Phonogram, and I remember her I needed to be a part of this. I said of course, not really fully grasping the magnitude of what was about to be a part of in music history.
After arriving to music producer Trevor Horn's ZTT Studio's, we all watched the documentary chronicling the heartbreaking famine in Ethiopia, before getting on with the recording session. There really wasn't a dry eye, as I recall.
Personally, I was in awe of being among so many of Britain's most
popular musicians including; Sting, Bono, Duran Duran, George Michael, Boy George, Bananarama, Phil Collins, Paul Young and more.
It was during this session that I would ask George Michael to do a duet with me, that's where we connected the first time. George would keep his word some 3 years later when I returned to the U.S. to officially launch what my own very successful solo career, but that's all beside the point.
I understand the 'Where Are They Now', follow-up and it was a good idea to include everyone, but I'm still trying to figure out the point of proclaiming, not everyone made it to mega-stardom addition, and then making sure you remembered who has had problems with the law, drug abuse and financial distress. Was that why we all participated? As someone, who was there, I would say absolutely not. That day 25 years ago wasn't about bolstering careers.
Reading about everyone, and what they've gone on to do with their lives over the past couple of decades shouldn't be reduced to trivial or sensationalistic sound bites, the bottom line is that we were all a part of something meaningful, which should never be forgotten or diminished.
Cheers, to Sir Bob Geldof and Midge Ure, well done.